All track Review of Madonna, 'MDNA'

Madonna is still by far the queen of pop.

Nearly 30 years after first hitting the Billboard charts in late 1982 with their debut single "Everybody," Madonna continues to demonstrate the emerging world how.

"MDNA" - his studio album number 12 - is a collection of pop songs pumping in the background, some of which are slices of brilliance. Madonna not only take us to the club with "MDNA" exhausts us, drains us and trusts us. Five minutes after an aerobic workout on the dance floor, we are in his private cabin, which is spilling his guts about relationships and how things go as planned. Then, five minutes later, we return to dance up a storm with a song like "Gang Bang".

Yes, "Gang Bang".

The track is one of the many album highlights the studies. It's a dark song, it's throbbing and totally twisted and surprising pop-tastic. (Yes, that's a word.)

Also notable is the summery pop nugget "Turn Up the Radio", the digital speeding rave-from "I'm Addicted", and driving, intelligent wordplay "I had love."

"MDNA" Madonna meets with his "Ray of Light" co-producer William Orbit, polishing their songs with twists and junks of cosmic-retro bit fuzzy. Madonna also enlists the aid to the production of Martin Solveig, the demolition team, Benny Benassi, Alle Benassi, Hardy "Indiigo" Malih Mwanza and Michael. (Search for the production credits here.)

Interestingly, the set's first single - the rah-rah "Give Me All Your Luvin '" - did not adequately prepare the listener for what we will get on the album. Basically: on one side and enter "MDNA" with a clean slate.

Here's a track by track Take on "MDNA"

"Girl Gone Wild"

"Girl Gone Wild" The second single from "MDNA" is also the dance floor ready opening number of the series. In a way, it is very danceable by the numbers-with Madonna, a "Good Girl Gone Wild" - singing about his "hot burning desire" to have a good time. Production is familiar Benny Benassi - all the driving, beating, electronic beats. It is comparable to your own remix of Madonna, "Celebration" single. The track does a good job of getting stuck in your head, thanks in large part to its "hey-yay-yay" chorus singing. A notable difference in hearing this song in a stereo setup with speakers of adequate quality, that is carried away a little more for the "buzz", so to speak, of the song.

"Gang Bang"

"Gang Bang" Start going crazy, hard core fans of Madonna, and "Gang Bang" is the song that we have been waiting for. It's dark, club, driving, shock and completely disgusting. (Meaning:. It's fantastic, y'all) Consulting our notes, doodles include the words "OMG", "breaking the dubstep" and "GOD THE RHYTHM". So yes, that is freaking amazing.

Eight composers, including British pop singer Mika (?), Collaborated on the song. On 8 March, he wrote on Twitter that is "weird as shit, underground and fresh lyrical, surprising and strange. I love it, it sounds so good singing the words so hard." Madonna sings / talks about the convoluted production remains about its enemies "close" and how "shot my lover in the head." Indeed, "Gang Bang" will be one of the most famous tracks on the album and is totally unexpected after the first hearing "MDNA" two individuals (the gay "Give Me All Your Luvin '" and-dance numbers "Girl Gone Wild").

"Gang Bang" lyrical "Drive a bitch!" - In so eloquently used in the song - all will become the slogan in the coming months. (Note that, as "Gang Bang" is explicit - and perhaps non-editable - will be omitted from the "clean" version of shame "MDNA.").

"I'm Addicted"

"I'm Addicted" Hey, you wanna go dancing? We see Madonna at the club, as she has this fantastic, swirl, digital get-to the number you want to play with us. "Something happens to me when I hear his voice and I have no choice," Madonna sings about hypnosis, Daft Punk, and song. And when Madonna said in a cool tone, instructive, "I have to dance," you know what - you have to dance too. (And now we know that the album's title comes from, as Madonna sings "MDNA" in "I'm addicted.")

"Turn up the Radio"

"Turn up the Radio" A cousin of "Girl Gone Wild", this song is a summery pop number is as easy as a single. It's fun nonsense, where Madonna sings about how "beating the temperature" and wanting to "escape" and how "sick and tired of playing this game." (Have not we heard this before Stop Virgin Games?) - Basically, the point of the song here is "turn the radio until the speakers blow." While the letters are not necessarily provocative or new, is still a lively little tune that sounds very good "on the radio."

"Give Me All Your Luvin '"

"Give Me All Your Luvin" (with Nicki Minaj & MIA) who have heard "Give Me All Your Luvin '" the first single from the album, which peaked at No. 10 on the Billboard Hot 100. The decline cheerleader-like song almost seems like a commercial for Super Bowl halftime show Madonna instead of correct one promoting "MDNA". His lyrics and the environment are not indicative of "MDNA" as a whole and deceive the listener into thinking that the album will be full of jingles singsongy with by-the-numbers of letters.

"Some Girls' second album William Orbit co-production," Some Girls "is likely to remind listeners of his work in" Ray of Light "album. The song has his trademark swirly, cosmic-like flourishes that zigzag from the speakers. On the track, Madonna herself lyrically with reference to the lines of "put your love to the test" (oh hay "Express Yourself"), while elsewhere singing "I never want to be like some girls."

"Superstar" Importantly, this track features the vocals of Madonna's eldest daughter, Lourdes (credited as Lola Leon), and the name of all the controls of Marlon Brando and Michael Jordan and Julius Caesar to Abraham Lincoln. The bottom line here is: "Ooh la la, you're my star" and "I am your biggest fan, it's true." Armed with a kicky new bridge of dubstep, Madonna also sings about how funny the "Superstar" object of devotion is "like John Travolta get into the groove." (Get it She referred again - but in a smart, sassy.)

"I do not give a F" (Nicki Minaj) A song very rat-a-tat-tat, where Madonna barrels through a list of diatribes that vaguely reminds one of his shots in the "American Life" single. She sings about how he "tried to be your wife" (Hi, guys!) Y "at the end was a failure." Nicki Minaj puts on his second appearance on the album, where the function exits with the hit "There's only one queen and that's Madonna. Bitch!" The song ends with a little orchestra longer than the epic and radical, but comes out of nowhere.

"I am a sinner" With echoes of William Orbit remixes own ultraviolet "Ray of Light" single, the dance rattle is very, very Orbit. It's like the love child of "Beautiful Stranger" (another orbit co-production) and "Ray of Light". Halfway through, Madonna gets inspiration and reciting "Hail Mary full of grace / get on your knees and pray," followed by "hanging on the cross Jesus Christ died for our sins is a loss," and so on. (Yes, there are more, but could not write so fast.)

"Love Spent"

"Love spent" "You played with my heart, till death do us part," Madonna sings on this ride, building the track. It has these whooshes (yes, a technical term) that date back to the 80 themes such as Kim Carnes "Bette Davis Eyes". It's a fascinating song that includes some wonderful strummy little (possibly a banjo?). The song to work a little clever play on words comparing the love of money: "I want to hold me like you have your money / hold me in your arms until nothing remains." Madonna co-wrote this track with a team of professional writers, and care is evident and welcome. (I love Madonna, but we also love it when pop collaborate and produce amazing, beautiful, like "Love spent.")

"Masterpiece" This was the first contact with the public has "MDNA" as it was released last year as the closing song of the credits of the film directed by Madonna "WE" (Although, at the time was not clear if the track ultimately turn by "MDNA.") The Golden Globe-winning track is very nice - is filtered with a clicky little rhythm, a delicate acoustic guitar and strings. Madonna's voice is beautiful, comparing someone to "a rare and precious work of art."

"Free fall" The Ballad beautiful Madonna meets with his brother-in-law Henry Joe, who has co-authored at least one song in four different albums now Madonna. He co-wrote "Do not tell me that" since 2000 "Music" album, and "Jump" from "Confessions on a Dance Floor" and "The devil you do not recognize" the latest series of the diva, " 2008, Hard Candy. " As an album closer, is perfect, with the letter "I vent to the need to know / that we are both free - both free to go ..."